{"id":502,"date":"2022-01-25T15:19:20","date_gmt":"2022-01-25T15:19:20","guid":{"rendered":"https:\/\/cuttheshot.net\/?page_id=502"},"modified":"2024-01-10T11:20:11","modified_gmt":"2024-01-10T11:20:11","slug":"abouty","status":"publish","type":"page","link":"https:\/\/cuttheshot.net\/index.php\/abouty\/","title":{"rendered":"ABOUT"},"content":{"rendered":"
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I am a professional film and video editor with a great passion for cinematic language, always looking to learn from new audio-visual experiences.

I have worked for more than 15 years as a chief editor, motion graphic artist and post-production technician in the audio-visual industry. Through my work, which has been screened on European national televisions, cinemas and international festivals, I have achieved a high professional level of knowledge and skills.

I am an expert in producing audiovisual content at every step of the production having worked as a filmmaker, cameraman and sound technician as well. With this technical knowledge alongside my skillset in post-production and video editing I am experienced working with teams to consult and advise on how to best bring ideas to life. In these contexts I have worked on many challenging projects, advising and assisting at every step of the way to consistently deliver high quality products within their deadlines.
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I have been composing, singing and playing electric guitar in many bands over the past 25 years, recording several albums as a producer and audio technician as well.
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SELECTED CREDITS<\/p><\/blockquote><\/figure>\n\n\n\n

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EL PUNT D (TV program, 20′ each episode)<\/p>\n\n\n\n

(2023) Video editor - 4 episodes\nClient: Uniunfandos\/TV3\n\n<\/pre>\n\n\n\n
BAMBINI DI FRONTIERA (documentary, 52′)<\/p>\n\n\n\n
(2023) Video editor and foto animation\nClient: Fondazione Cassa Rurale Trento\n<\/pre>\n\n\n\n
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ERASMUS IN GAZA (documentary, 87\u2019)<\/p>\n\n\n\n
(2022) Co-video editor, music composer and post-production technician\nClient: Arpa Films\n<\/pre>\n\n\n\n
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MODUS (Linkedin videos)<\/p>\n\n\n\n
(2022) Motion graphic artist, music composer and video editor\nClient: Modus\n<\/pre>\n\n\n\n
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ONE (Documentary mini series, 3 episodes, 12′ each)<\/p>\n\n\n\n
(2021) Video editor and post-production technician\nClient: Proximity\/Montraa<\/pre>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n
MADARIAGA: NOSOTROS ETA (documentary 80\u2019)<\/p>\n\n\n\n
(2020) Video editor, music composer and post-production technician\n\n<\/pre>\n\n\n\n
MENDING FOR GOOD (promo 30″)<\/p>\n\n\n\n
(2020) Editing, motion graphic\nClient: Mending for Good<\/pre>\n<\/div><\/div>\n\n\n\n
CAP ROIG: UNA HIST\u00d2RIA D\u2019AMOR (TV documentary, 50′)<\/p>\n\n\n\n
(2018) Foto animation\nCleint: La Caixa\/Mediapro<\/pre>\n\n\n\n
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MEDIAPRO VIDEOREEL (Teaser 90″)<\/p>\n\n\n\n
(2018) Editor\nClient: Mediapro<\/pre>\n\n\n\n
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THE LAST MATCH: 40 YEARS OF JOHAN CRUYFF IN CATALUNYA (documentary, 70′)<\/p>\n\n\n\n
(2014) Editor and post production coordinator\nClient: Bonita Films\/Mediapro<\/pre>\n\n\n\n
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PACO P\u00c9REZ-DOLZ: UN CINEASTA A TIRO LIMPIO (documentary 76′)<\/p>\n\n\n\n
(2014) Editor, motion graphic artist and co-writer\nClient: Bonita Films<\/pre>\n\n\n\n
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UNA DEL OESTE (short movie, 25′)<\/p>\n\n\n\n
(2013) Co-editor<\/pre>\n\n\n\n
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ALIANZA (short movie, 12′)<\/p>\n\n\n\n
(2012) Co-editor<\/pre>\n\n\n\n
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CIUTAD\u00c0 ESCARR\u00c9 (TV documentary, 52′)<\/p>\n\n\n\n
(2011) Video editor and post-production technician\nClient: TV3<\/pre>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"
SELECTED CREDITS EL PUNT D (TV program, 20′ each episode) (2023) Video editor – 4 episodes Client: Uniunfandos\/TV3 BAMBINI DI FRONTIERA (documentary, 52′) (2023) Video editor and foto animation Client: Fondazione Cassa Rurale Trento ERASMUS IN GAZA (documentary, 87\u2019) (2022) Co-video editor, music composer and post-production technician Client: Arpa Films MODUS (Linkedin videos) (2022) Motion […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-502","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/pages\/502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/comments?post=502"}],"version-history":[{"count":29,"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/pages\/502\/revisions"}],"predecessor-version":[{"id":1023,"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/pages\/502\/revisions\/1023"}],"wp:attachment":[{"href":"https:\/\/cuttheshot.net\/index.php\/wp-json\/wp\/v2\/media?parent=502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}